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2010 Arts Place: Photo Sketches
d223-070c
- Asphalt barge, Welland Canal.
Photo sketches
in 3 themes:
* Our aqueous heritage (homage to boat stuff)
* In a Peruvian market (homage to Ketelbey)
* Imaginary prisons (homage to Piranesi)
Photo sketches, by D. Richards
photography liberated.
Arts Place Gallery
714 King St., Port Colborne, Ontario
tel 905 834-9060
October 14 to November 21, 2010
Thursday to Saturday, 12:00 noon to 5:00 pm.
Reception Sunday, October 17 at Arts PLace, 2:30 pm to 5:00 pm
D203-018A
08-01-04 - The Chicago "El".
The photo-sketch approach is an attempt to apply aspects of the technique of
watercolour sketch artists to photographic subjects. In particular the use of
pencil or pen outline to define the structure of a picture, followed by a
wash of blended colour to provide additional rendering and affective value.
Many digital photo-editing applications now provide a wide variety of tools
to this end.
It would be a mistake to dismiss this as an example of technology imitating
art, although there are plenty of applications that do seek to superimpose
an artificial look of painterly brushwork on top of any photograph. But other
more authentic tools do provide a digital analogue of what the sketch artist
actually does in the field. For instance, laying down a preliminary outline
of the basic structure of an image. This can be done digitally by tools that
analyse the contours of an image. The boundary where tonal values are in
sharpest contrast constitutes a potential outline. The sketch artist in their
initial assessment may do much the same thing intuitively, laying down
guidelines to whatever seems interesting. On this basis the application of
texture and colour effects can proceed. Digital tools are available that will
operate within an outline effect and can apply a selected amount of blending
to a photograph's original colours that is similar to the use of watercolour
pigments.
Thus, an image can be partially abstracted into a basic structural outline,
within which a measured amount of colour and tonal blending can be added.
This closely simulates what the artist is doing when a wash of colour is
applied, in effect, ignoring pixel-level details within the outline that are
irelevant to the artist's vision of the subject. The final result retains or
enhances a sharpness of line along with a parsimony of irrelevant detail.
Both of which can be strong features in outdoor watercolour sketching.
D177-028a
07-05-13 - There is no escape, Welland R.
D237-084A
10-06-19 - Hydraulic lock, Kirkfield.
D239-066A
V10-07-19 - Homage to Piranesi, Peterborough.
D234-094
10-02-25 - From Carceri Invenzione, by Piranesi.
D237-087A
V10-09-07 - Hydraulic lock bed, Kirkfield.
D218-041A
V10-09-07 - The screaming tunnel.
D236-055B
V10-09-07 - Spectral figure, NPBG.
D227-139A
09-06-23 - Not for sale! Pisac market, Peru.
D227-153A
09-06-23 - Dye seller, Pisac, Peru.
D227-141A
09-06-23 - Variety pak.
D227-157A
09-06-23 - Fish market, Pisac, Peru.
D226-559A
09-06-22 - Generation gap, Peru.
D227-135A
09-06-23 - Curio shop, Pisac, Peru.
d232-199a
- Tugs, Port Colborne.
d223-070c
- Asphalt barge, Welland Canal.
d210-023a
- Fire buckets and lifeboat, Whitehorse.
d210-472b
- Dredge #4, Bonanza Creek.
d236-241a
- Hamilton beach.
D236-291A
10-06-12 - The wind is fair for France.
websrch:The wind is fair for France